In his series 36 Views of Gökova, Burak Ata reproduces the silhouette of Gökova using 36 different techniques and materials on canvasses of the same size. The series suggests a resistance to the vanishing memories of adolescence, an could be thought of as an exercise in remembering the fading images of youth using different techniques, combined with a pleasure derived from recreating memories through transforming them.
In his series B. File Prisoners, Sabo documents cases of missing persons and violence in an unknown territory. In chronotophes that evoke a variety of fantasies, Sabo looks at faceless individuals who have become objects of violence and gives them identities in his portraits. The traces on his wall installation help us witness the past of a group of characters.
Toygun Özdemir’s paintings and video works bring together images he has collected from his travels. His paintings are landscape abstractions in line with abstract expressionism, that aim to capture the resulting motion caused by rapid transit technologies by effectively freezing overlapping landscapes in a single frame and crystallizing travel memories.